Language stripped back to its most immediate form

Working with black Japanese calligraphy ink on white paper, Eley strips words back to their most immediate form. Each work begins with a few words or a short phrase, something remembered, overheard or drawn from an internal dialogue.

Painted directly by hand, the brushstrokes retain their variations and imperfections, giving the words intimacy, immediacy and a visible human presence. Meaning is deliberately left open. A phrase that begins with one experience can become something entirely different in the hands of the viewer.

Read first. Feel next. Remember later.


Work on paper

Matt Eley

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